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	<title>Visual - The Taborian</title>
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		<title>Designing Dynamism: Illimunating the Living Language of Kuba Textiles</title>
		<link>https://thetaborian.com/designing-dynamism-illimunating-the-living-language-of-kuba-textiles/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=designing-dynamism-illimunating-the-living-language-of-kuba-textiles</link>
					<comments>https://thetaborian.com/designing-dynamism-illimunating-the-living-language-of-kuba-textiles/#respond</comments>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Mon, 11 May 2026 11:00:00 +0000</pubDate>
				<category><![CDATA[Article]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[In Focus]]></category>
		<category><![CDATA[Visual]]></category>
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					<description><![CDATA[<p>At the Mint Museum Randolph in Charlotte, “Designing Dynamism: Kuba Textiles from the Democratic Republic of Congo, The Wesley Mancini Collection” unfolds with a quiet confidence that does not demand attention all at once, but instead gently draws you in, asking only that you slow your pace and allow the experience to reveal itself over time.</p>
<p>The post <a href="https://thetaborian.com/designing-dynamism-illimunating-the-living-language-of-kuba-textiles/">Designing Dynamism: Illimunating the Living Language of Kuba Textiles</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7946</post-id>	</item>
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		<title>László Moholy-Nagy: Laszlo and Lucia</title>
		<link>https://thetaborian.com/laszlo-moholy-nagy-laszlo-and-lucia/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=laszlo-moholy-nagy-laszlo-and-lucia</link>
					<comments>https://thetaborian.com/laszlo-moholy-nagy-laszlo-and-lucia/#respond</comments>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Sun, 10 May 2026 17:08:00 +0000</pubDate>
				<category><![CDATA[Public Domain]]></category>
		<category><![CDATA[The Tab]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7935</guid>

					<description><![CDATA[<p>In Laszlo and Lucia (1922), László Moholy-Nagy portrays an intimate style of contrast stemming from the imagination of the Bauhaus collective, and at first glance the image feels haunting in its simplicity with two profiles emerging from darkness and light, locked in a quiet tension where one face glows almost to dissolution while the other is absorbed by shadow.</p>
<p>The post <a href="https://thetaborian.com/laszlo-moholy-nagy-laszlo-and-lucia/">László Moholy-Nagy: Laszlo and Lucia</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7935</post-id>	</item>
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		<title>Paul Klee: Siblings</title>
		<link>https://thetaborian.com/paul-klee-siblings/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=paul-klee-siblings</link>
					<comments>https://thetaborian.com/paul-klee-siblings/#respond</comments>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Sun, 05 Apr 2026 19:48:23 +0000</pubDate>
				<category><![CDATA[Public Domain]]></category>
		<category><![CDATA[The Tab]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7926</guid>

					<description><![CDATA[<p>In Siblings (1930), Paul Klee channels the dreamlike language of Surrealism into a tender and abstract meditation on human connection.</p>
<p>The post <a href="https://thetaborian.com/paul-klee-siblings/">Paul Klee: Siblings</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7926</post-id>	</item>
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		<title>Fred&#8217;s Legacy</title>
		<link>https://thetaborian.com/freds-legacy/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=freds-legacy</link>
					<comments>https://thetaborian.com/freds-legacy/#respond</comments>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 23:21:13 +0000</pubDate>
				<category><![CDATA[Classics]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[The Tab]]></category>
		<category><![CDATA[Visual]]></category>
		<category><![CDATA[Culture]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7914</guid>

					<description><![CDATA[<p>Jeremy Okai Davis’ Fred’s Legacy does more than pay homage to an iconic sitcom character, it quietly invites viewers to consider how art, identity, and accessibility intersect across generations.</p>
<p>The post <a href="https://thetaborian.com/freds-legacy/">Fred’s Legacy</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7914</post-id>	</item>
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		<title>Portrait of the Artist&#8217;s Mother</title>
		<link>https://thetaborian.com/portrait-of-the-artists-mother/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=portrait-of-the-artists-mother</link>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Mon, 02 Mar 2026 23:17:50 +0000</pubDate>
				<category><![CDATA[Public Domain]]></category>
		<category><![CDATA[The Tab]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7895</guid>

					<description><![CDATA[<p>Henry Ossawa Tanner’s Portrait of the Artist’s Mother (1897) is a tender yet powerful work, rendered with remarkable delicacy and emotional depth.</p>
<p>The post <a href="https://thetaborian.com/portrait-of-the-artists-mother/">Portrait of the Artist’s Mother</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7895</post-id>	</item>
		<item>
		<title>With These Hands: In Conversation with Lia Newman</title>
		<link>https://thetaborian.com/with-these-hands-in-conversation-with-lia-newman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=with-these-hands-in-conversation-with-lia-newman</link>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Mon, 02 Mar 2026 04:18:02 +0000</pubDate>
				<category><![CDATA[Article]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7889</guid>

					<description><![CDATA[<p>As Davidson College continues to reckon publicly with its historical ties to enslavement and racial exploitation, few people have been as closely involved in shaping that work as Lia Newman.</p>
<p>The post <a href="https://thetaborian.com/with-these-hands-in-conversation-with-lia-newman/">With These Hands: In Conversation with Lia Newman</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7889</post-id>	</item>
		<item>
		<title>With These Hands: Memory, Art, and the Labor That Built a Campus</title>
		<link>https://thetaborian.com/with-these-hands-memory-art-and-the-labor-that-built-a-campus/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=with-these-hands-memory-art-and-the-labor-that-built-a-campus</link>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Mon, 02 Mar 2026 04:01:37 +0000</pubDate>
				<category><![CDATA[Article]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7878</guid>

					<description><![CDATA[<p>On a quiet stretch of green just off Main Street, where town and campus meet, two monumental hands rise from the earth – open, cupped, and facing one another. They do not grasp or point. Instead, they hold space.</p>
<p>The post <a href="https://thetaborian.com/with-these-hands-memory-art-and-the-labor-that-built-a-campus/">With These Hands: Memory, Art, and the Labor That Built a Campus</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7878</post-id>	</item>
		<item>
		<title>She Holds the Key</title>
		<link>https://thetaborian.com/she-holds-the-key/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=she-holds-the-key</link>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Fri, 20 Feb 2026 13:46:04 +0000</pubDate>
				<category><![CDATA[The Tab]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7838</guid>

					<description><![CDATA[<p>Simone Elizabeth Saunders’ She Holds the Key is a powerful tribute to Serena Williams, capturing her immense strength while honoring her undeniable grace.</p>
<p>The post <a href="https://thetaborian.com/she-holds-the-key/">She Holds the Key</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7838</post-id>	</item>
		<item>
		<title>The Curse of Ham</title>
		<link>https://thetaborian.com/the-curse-of-ham/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-curse-of-ham</link>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Wed, 11 Feb 2026 00:35:09 +0000</pubDate>
				<category><![CDATA[The Tab]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7825</guid>

					<description><![CDATA[<p>At first glance, joy gathers in Ramsome’s The Curse of Ham.</p>
<p>The post <a href="https://thetaborian.com/the-curse-of-ham/">The Curse of Ham</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7825</post-id>	</item>
		<item>
		<title>Hank Willis Thomas: We The People</title>
		<link>https://thetaborian.com/hank-willis-thomas-we-the-people/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hank-willis-thomas-we-the-people</link>
		
		<dc:creator><![CDATA[The Taborian]]></dc:creator>
		<pubDate>Tue, 03 Feb 2026 00:25:43 +0000</pubDate>
				<category><![CDATA[Article]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://thetaborian.com/?p=7804</guid>

					<description><![CDATA[<p>Recently on view at the Van Every/Smith Galleries at Davidson College, Hank Willis Thomas' We The People was a visually arresting exhibition that paired formal rigor with conceptual urgency</p>
<p>The post <a href="https://thetaborian.com/hank-willis-thomas-we-the-people/">Hank Willis Thomas: We The People</a> first appeared on <a href="https://thetaborian.com">The Taborian</a>.</p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7804</post-id>	</item>
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