At the Mint Museum Randolph in Charlotte, “Designing Dynamism: Kuba Textiles from the Democratic Republic of Congo, The Wesley Mancini Collection” unfolds with a quiet confidence that does not demand attention all at once, but instead gently draws you in, asking only that you slow your pace and allow the experience to reveal itself over time.
As Davidson College continues to reckon publicly with its historical ties to enslavement and racial exploitation, few people have been as closely involved in shaping that work as Lia Newman.
On a quiet stretch of green just off Main Street, where town and campus meet, two monumental hands rise from the earth – open, cupped, and facing one another. They do not grasp or point. Instead, they hold space.
Dolen Perkins-Valdez delivers another striking work of historical fiction with Happy Land, shining a light on a remarkable chapter of American history that has long remained in the shadows.
How In Living Color Changed the Super Bowl Forever In the early 1990s, American television was undergoing a seismic shift. Cable was on the rise, networks were battling for dominance, and audiences were beginning to demand more diverse, edgy, and
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