“Self Portrait” is a watercolor, charcoal, and graphite on paper drawing created by Samuel J. Brown, Jr. in 1941. This work is in the public domain.
The Mourning
I park at the clearing they use for boat trailers.
Martin Keaveney
Womanhood: a pair of circles
One hoop.
Swish a basketball through it.
Rena Kim
A Brush With Fame
Few people had heard of a tiny suburb on the outskirts of Mumbai, which went by…
Prabha Girish
Dark Victory
a good day is when a Betty Davis movie is on…
Allison Whittenberg
Real Men Don’t Cry
Three days after my father’s funeral, my brother and I arrived in Kyoto, Japan…
Ernest Langston
The Collection: Super Fly
The sensation of fondness fills my body as I look at the somewhat worn album cover.
Amari Pleasant
Do You Know
Is an Tanzanian born British novelist who was awarded the 2021 Nobel Prize in Literature.
From The Public Domain
Historical Sketches of Andover: Chapter V
There is a tradition in regard to the bravery of a negro servant…
Sarah Loring Bailey
To Dews. A Song.
I burn, I burn; and beg of you…
Robert Herrick
The Things We Dare Not Tell
The fields are fair in autumn yet, and the sun’s still shining there…
Henry Lawson
In Our Neighborhood
The Harts were going to give a party.
Alice Ruth Moore
At the Mint Museum Randolph in Charlotte, “Designing Dynamism: Kuba Textiles from the Democratic Republic of Congo, The Wesley Mancini Collection” unfolds with a quiet confidence that does not demand attention all at once, but instead gently draws you in, asking only that you slow your pace and allow the experience to reveal itself over time.
In Laszlo and Lucia (1922), László Moholy-Nagy portrays an intimate style of contrast stemming from the imagination of the Bauhaus collective, and at first glance the image feels haunting in its simplicity with two profiles emerging from darkness and light, locked in a quiet tension where one face glows almost to dissolution while the other is absorbed by shadow.
Do you remember the first time you heard I Feel Love?
In Siblings (1930), Paul Klee channels the dreamlike language of Surrealism into a tender and abstract meditation on human connection.
When Still Standing was released in 1998, Goodie Mob were no longer fighting to introduce themselves. Their debut, Soul Food, had already established the Atlanta quartet of CeeLo Green, Khujo, T Mo, and Big Gipp as essential voices of the Dirty South.
Jeremy Okai Davis’ Fred’s Legacy does more than pay homage to an iconic sitcom character, it quietly invites viewers to consider how art, identity, and accessibility intersect across generations.
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