“The Buffalo Hunt” is an oil on canvas painting in the Expressionism style created by Horace Pippin in 1933. This work is in the public domain.
Mami’s Daughter
In the largest rivers of Nigeria, there dwells a beautiful woman.
Blessing Nnate
The Fire This Time
It spread and flickered and licked the…
Susan L. Pollet
Sweet Tooth
It was a great date.
Megan Petronella
And Other Reasons
Lying awake…
Anne Mikusinki
My Mother’s First Husband and Us
My mother has been married three times, which she might sheepishly admit to you…
Marcus Knoke
Why I Love Strangers More Than Friends
“Hey, how are you, what can I get for you?”
Sam Hendrian
Do You Know
Was an American novelist, short story writer, essayist, and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969
From The Public Domain
Durham: A Capital of the Black Middle Class
Durham offers none of the color and creative life we find among…
E. Franklin Frazier
The Man in the Iron Mask
Chapter XVIII: A Night at the Bastile
Pain, anguish, and suffering in human life…
Alexandre Dumas
The Conquest
Chapter III: Chicago, Chasing A Will-O-The-Wisp
That was on Sunday morning three hundred miles south of Chicago…
Oscar Micheaux
The Purpose
Over and over the task was set…
Ella Wheeler Wilcox
At the Mint Museum Randolph in Charlotte, “Designing Dynamism: Kuba Textiles from the Democratic Republic of Congo, The Wesley Mancini Collection” unfolds with a quiet confidence that does not demand attention all at once, but instead gently draws you in, asking only that you slow your pace and allow the experience to reveal itself over time.
In Laszlo and Lucia (1922), László Moholy-Nagy portrays an intimate style of contrast stemming from the imagination of the Bauhaus collective, and at first glance the image feels haunting in its simplicity with two profiles emerging from darkness and light, locked in a quiet tension where one face glows almost to dissolution while the other is absorbed by shadow.
Do you remember the first time you heard I Feel Love?
In Siblings (1930), Paul Klee channels the dreamlike language of Surrealism into a tender and abstract meditation on human connection.
When Still Standing was released in 1998, Goodie Mob were no longer fighting to introduce themselves. Their debut, Soul Food, had already established the Atlanta quartet of CeeLo Green, Khujo, T Mo, and Big Gipp as essential voices of the Dirty South.
Jeremy Okai Davis’ Fred’s Legacy does more than pay homage to an iconic sitcom character, it quietly invites viewers to consider how art, identity, and accessibility intersect across generations.
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