The Gaston County Museum in Dallas, North Carolina welcomed celebrated self-taught artist Nellie Ashford for an unforgettable Artist Talk that blended storytelling, history, and art into a deeply personal and communal experience. Known for her vibrant mixed-media pieces that honor African American heritage, Ashford captivated the audience with reflections on her life, her ancestors, and the cultural memory embedded in her work.

Ashford, now 82, began the evening by inviting attendees to close their eyes and take a deep breath, transporting them back in time to her childhood in Mecklenburg County. She spoke of growing up in a world without electricity, where families preserved food naturally and children played in yards filled with laughter and music. Her stories painted vivid scenes of family reunions, fish fries, and the communal rituals of everyday life.

Central to Ashford’s talk was her reverence for her ancestors, particularly her great-great-grandfather George Caldwell, who was nine years old when slavery was abolished. She recounted his journey from enslavement to land ownership and entrepreneurship, highlighting his legacy as a road builder and gold miner in Charlotte. “I did that to honor him,” Ashford said, referencing a piece inspired by his life.

Throughout the evening, Ashford shared the stories behind her artworks, many of which incorporate vintage fabrics, feed sacks, and clothing from her mother’s collection. “Fabric is memory,” she explained, describing how textures and patterns evoke the lives of those who wore them. Her pieces often feature faceless figures, allowing viewers to see themselves in the narratives.

One standout moment came when Ashford discussed her mural at Charlotte Douglas International Airport, titled Honoring All Teachers. She emphasized the importance of educators, especially those whose contributions go unrecognized. “Without a teacher, you wouldn’t have a doctor, a lawyer, or a president,” she said.

Audience members were visibly moved by Ashford’s recollections of childhood friends, like Mary Jones, whose presence continues to inspire her work. She also spoke candidly about systemic racism, the emotional weight of history, and the healing power of art. “I paint from here,” she said, pointing to her heart. “Not from training.”

Ashford’s art is deeply rooted in community, memory, and resilience. Her pieces are held in collections at the Mint Museum of Art, the Harvey B. Gantt Center, and Davidson College, among others. She has received numerous accolades, including the Harvey B. Gantt Artist of the Year award and multiple commissions for public art.

As the evening concluded, Ashford reflected on her goals and what’s next. “What’s next? That’s a big question,” she said with a smile, leaving the audience inspired and eager to see more from an artist whose work continues to bridge generations.