Paul Klee: Siblings
In Siblings (1930), Paul Klee channels the dreamlike language of Surrealism into a tender and abstract meditation on human connection.
In Siblings (1930), Paul Klee channels the dreamlike language of Surrealism into a tender and abstract meditation on human connection.
Jeremy Okai Davis’ Fred’s Legacy does more than pay homage to an iconic sitcom character, it quietly invites viewers to consider how art, identity, and accessibility intersect across generations.
Henry Ossawa Tanner’s Portrait of the Artist’s Mother (1897) is a tender yet powerful work, rendered with remarkable delicacy and emotional depth.
As Davidson College continues to reckon publicly with its historical ties to enslavement and racial exploitation, few people have been as closely involved in shaping that work as Lia Newman.
On a quiet stretch of green just off Main Street, where town and campus meet, two monumental hands rise from the earth – open, cupped, and facing one another. They do not grasp or point. Instead, they hold space.
Simone Elizabeth Saunders’ She Holds the Key is a powerful tribute to Serena Williams, capturing her immense strength while honoring her undeniable grace.
At first glance, joy gathers in Ramsome’s The Curse of Ham.
Recently on view at the Van Every/Smith Galleries at Davidson College, Hank Willis Thomas’ We The People was a visually arresting exhibition that paired formal rigor with conceptual urgency
Dean Monogenis’ On Higher Ground may be simple at first glance…
At a recent book signing and conversation, celebrated visual artist Harmonia Rosales shared the deeply personal journey behind her new work – a project that bridges painting and literature to reimagine African cosmology within the Western canon.
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